Blues-rock is a tightrope – and Mike Zito has never lost his footing. At times in his storied two-decade career, the Texas bandleader has rolled up the amps and rocked as hard as anyone. Yet his lifelong fascination with the blues has always reeled him back in. And now, having shaken the rafters with 2016’s acclaimed Make Blues Not War, First Class Life finds Mike diving deep into the only genre that can do justice to his hard-won true stories of hardship and redemption. “Make Blues was pretty extreme and rocking,” he reflects. “This time, I was definitely thinking more blues.”
Released in 2018 on Ruf Records, First Class Life is a fitting album title from a man who remembers the hard times. “The title track is a nod to where I’ve come from and where I’m at,” explains the songwriter whose promising early career was almost destroyed by addiction. “It’s a rags-to-riches story, and it’s certainly true. I grew up poor in St. Louis, and now I'm travelling the world to sing my songs. In the world of excess America, I may not look ‘rich’, but in my world, I most certainly am. I have a beautiful family, I’m clean and sober, and I get to play music.”
And what music. Since Mike’s debut album, Blue Room (1997), there have been countless creative peaks, from 2011’s confessional Greyhound, through his world-conquering contributions to US supergroup the Royal Southern Brotherhood, right up to recent solo triumphs like Gone To Texas (2013), Keep Coming Back (2015) and Make Blues Not War (2016).
Last November, as the band tracked live at Mike’s new backyard recording facility – dubbed Marz Studios – there was an unspoken mission to raise the bar. “We planned three days for the session,” he reflects, “but had all the tracks finished the first day. The band was really on fire and it just had this really fun vibe that we were in my backyard making a first class record.”
On his 14th album release, Mike’s socially charged observations and candid soul-searching have never been sharper. There’s the punchy call-to-arms of Time For A Change and the exquisite ‘one-note’ slow-blues, The World We Live In. The electrified blues bounce of Dying Day swears lifelong allegiance to his wife, while the sinister Old Black Graveyard growls with Hendrix-esque flourishes as it salutes the fallen. “That’s about a forgotten cemetery of poor black Americans that has not been kept up near my home in Beaumont, Texas,” he says. “Blind Willie Johnson is buried there. It’s a sure sign of racism in America and how the poor aren’t treated with dignity. That song is a ghost story that those buried there wreak havoc in the night.”
Yet the record’s darker moments are offset by cuts like Mama Don't Like No Wah Wah, the crash-bang-wallop gem written with Bernard Allison. “Bernard told me about his first gig as guitarist for Koko Taylor,” laughs Mike. “Koko didn’t like any effects on the guitar, she wanted it to sound natural. She also didn't know what effects were, she just called them ‘wah wah’. So when Bernard made an attempt to use an effect on his guitar after playing with her for months, he got caught. ‘Mama don't like no wah wah’ is what he was told. That’s a song to me!”
Of course, the most captivating story of all is the dazzling upward curve of Mike Zito’s unfolding career. In 2018, First Class Life doesn’t just capture the past glories and setbacks – it points a signpost at the peaks to come. “With this album,” he concludes, “I had this idea of ‘stepping up’. I want the world to know I can play this music with conviction and style. I think it’s really the next step…”
Right now I am on tour in support of my new album "First Class Life". We've been to Europe twice this year and toured the entire USA.
2) What is your musical background and influences?
I grew p in St. Louis, Mo. working at an old school Guitar/Music Store. I came up in Rock n Roll and Blues. I have so many influences it's crazy! BB King/Eric Clapton on guitar and Delbet McClinton on vocals for sure.
3) What is the role of education in music?
When I was young, I had no education. It was not readily available and I had to work
twice as hard to just get by. Today it's so much easier and so important. The more knowledge we have, the more we bring to the table in our experiences. I am always trying to further my education in music.
4) How do you feel about the current ‘state of the music industry’?
It is much better today than it was 10-12 years ago. Back when I hit the road again in 2005, it was excruciating. Live music has made a huge come back in the past 5 years and I don't see it stopping anytime soon. As far as the Music "Biz", it goes through changes, but it's becoming very cool again to play an instrument and be in a band. The music on the radio is one thing, but live music is what's in charge these days. Bands like "Dead and Co.", "Guns n Roses", they're selling out night after night and that is good for all of us. People are getting excited to see shows again and it's certainly helped the Blues world.
5) Why do you play Mooer pedals and use Rockready gig bags?
Man, I was forever into the "Boutique" gear. I think coming up at a time when only Boss and DOD were really making pedals, it was exciting when the pedal thing took off. Now I am kind of over that whole scene and back to basics. I need simple, easy, pure tones that don't get in my way when I am performing. The Mooer brand of pedals and effects are mind blowing. They sound as good or better than anything I have been using. It's crazy! Very simple, cost effective and excellent pure tones.
The Rockready bag is hands down my goto travel bag this year. It is solid and durable and I know if they take it from me when getting on a plane, it'll protect my fiddle in the belly of the beast.